Between Worlds southwest The film is so removed

The film is so removed from the norm that it is difficult to base a critique on comparatives

From his studio in Fort Collin

This will always be a bar I want to go to

I was also pushing myself to the edge of mine

he has also helped develop my working relationship with the Kenyan Wildlife Service (KWS) who oversee and support my work in Amboseli

Between Worlds southwest The film is so removed40" x 48" Oil on Cradled Panel This piece quietly reflects the relationship between tradition and the forward march of technology, represented by the train tracks beneath the rider. The idea parallels the way modern generations are confronting AI and rapid technological change much like past generations faced their own transformations. The narrative is intentionally subtle, inviting personal interpretation.